Dem Dry Bones: Preaching, Death and Hope
By Luke A. Powery. Minneapolis: Fortress Press, 2012. 160 pages.
Luke A Powery, the first African-American Dean of Chapel at Duke University, has written a book which he hopes will inspire a generation of preachers to take death more seriously in their preaching. While death is all around us, how often do we as preachers stand in our pulpits and avoid the word or suddenly change the phrase so as not to stir the emotion of the one who just lost his beloved bride of twenty-six years or agitate the one embittered congregant who has never recovered from her miscarriage. Powery argues that more death and hope are needed in the pulpits today—and the preachers need to be more spirited and courageous in carrying the mail on Sunday morning.
In a world where prosperity and motivational gospels hold airwaves and digital cable media hostage, the real rhythms of life, which include death, must be given voice in the pulpit. Powery effectively argues throughout the book that if homiletical hope is to present in one’s preaching then, death should not be denied in the pulpit. He contends that Christian preaching that systemically and opportunistically “ignores death is irresponsible, a theological lie, and unable to declare real hope” (p. 9). Real Christian hope rises from the grave; it conquers sin and it conquers death. He encourages preachers of modernity to fearlessly square off with death by proclaiming a death to death.
Powery uses as his primary sources the African-American spirituals and the Hebrew Bible, specifically Ezekiel 37, the vision of the valley filled with dry bones. Powery poetically weaves the spirituals and the biblical text into a single exposition that challenges, inspires and provokes the reader to recover life-affirming preaching that resurrects hope from the grave. In chapter one of the book Powery introduces the cultural and historical grounding of the spirituals to his readers. He does not seek to debate their origins, only to affirm that these historic musical and cultural sermons realized hope amidst of despair and death.
Chapter two brings into focus the Spirit’s role in cultivating hope in the vision that is given in Ezekiel 3; emphasizing here that “death and hope are joined in the presence of the Spirit and in that presence the real preaching of hope happens” (p. 78). He challenges those who take up the task of preaching to lean and depend upon the Spirit to give life in dead places–to envision their work in the pulpit as a pilgrimage; one that encounters life and death, and yet proclaims God’s message of love and hope.
Chapter three flirts with systematic theology by exploring the nature of Christian hope; bringing into conversation Moltmann, Cone, Long and a new young theological voice from Howard University, Kenyatta Gilbert. It is here that Powery emphasizes that “hope is not purely a theological or philosophical ideal [but that] it is an experiential phenomenon that may be initiated through homiletical means”(p. 91). His section on embracing the eschaton most successfully furthers his understanding of how the hope-filled groans of today become the praise-filled realization of God’s tomorrow (Romans 5:5).
Chapter four gets to the heart of the books focus on preaching by offering a hermeneutical approach that takes seriously the use of the spirituals to faithfully accomplish the preaching task. Powery advances that “a spiritual hermeneutics of hope for the purpose of preaching hope does not start with the Bible, but it begins with human experience and need” (p. 113). In this Powery suggests that the preacher must seriously engage life as it is experienced on the ground in order to effectively preach the Gospel to those in need. It is his contention that if a preacher consistently avoids seeing dry bones, open graves—the little deaths in life, that the preacher may never speak of real struggle, hurt, pain or death much less preach of resurrection.
Powery closes his book encouraging the development a healthy and robust imagination when one is in the midst of the exegetical exercise. Being empowered by the creative Spirit of God, one should feel free imagine the text, and in imagining fashion with the Spirit a hermeneutic of hope. To encourage this creative edge at the preaching desk, he offers a series of questions to spark the one’s imagination, encouraging the preacher to consider questions about the perceived human need in the text; how the text might be sung; what action(s) the text might be inviting the hears to accomplish, and too, what the text might be calling the community of hearers to resist.